Mike Krol artfully places punk dynamics into every part of his new record Power Chords. With a fully able band...
Of the lead-in tracks from talisman Brown’s first solo record in nine years, ‘Black Roses’ has ensured that this review...
When it comes to shoegazing reformations, there are three possible reactions. “OMG this is the best thing they’ve ever...
Michael Clark’s debut EP ‘Something To Be Won’ is a swirling and atmospherically tender set of four songs. Poignant and...
Highasakite’s third international album has been awaited with growing interest, not least by your reviewer, as it is the first...
The Thai seaside town of Bang Saen sits around halfway between the currently smog-infested capital of Bangkok and the...
‘Second album syndrome’ is an idea that’s been around so long it’s tempting to wonder how music makers were pressured...
Tim Presley is back with a cathartic seventh record under the “White Fence” moniker, as he tries to get his...
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Less is more, until it isn’t anymore. The acoustic folk music of New Zealand’s Hollie Fullbrook and friends, aka Tiny Ruins, has...
“My lonely hours they wonder like a vicious mystery”. Isolation and contemplation are powerful themes portrayed consistently through the lyrics,...
Jaws. Schindler’s List. Close Encounters of the Third Kind – All films. All classics. All directorially Spielberg’s. AI: Artificial Intelligence. Jurassic...
Beginning very much in the vain of James Yorkston circa Year Of The Leopard, Jamie Cruickshank‘s ‘I Can See Totterdown‘...
If you asked me why Better Oblivion Community Center is an early contender for album of the year I would...
This album raises a smile from the very first strum. An anagram of his name, Whoa Melodic is the eponymous...
There are many issues that have baffled scientists and historians alike for years. Why we yawn, for starters, and the...
