Scottish accented vocals, the stronger the better, are my personal preference in indie rock bands. Lucky for me, new super...
“Dreams, the night, all the moments that surround bedtime we feel are the most interesting ones of your daily life....
Scandinavia is all the rage, you know. You can find out all about it in David Bentley’s excellent regular feature...
Fenne Lily’s debut album is a collection of tracks that mostly seem to have been around for some time now....
There’s a universe in which a lot of recorded music exists, and then there’s the Frankie Cosmos cosmos. It’s an...
Kermes’ debut We Choose Pretty Names is as striking and crushed as the dried bodies of insects they are named...
Even in what was an annus mirabilis for new music, Daniel Avery’s 2013 debut Drone Logic stood out and, at...
I first encountered Edinburgh’s Broken Records over a decade ago. They were supporting Emma Pollock at the city’s Cabaret Voltaire...
Recorded in Nashville, and largely co-written with Steve McEwan (hitmaker for the likes of Keith Urban and Kenny Chesney), Golden...
In some ways, it’s hard to believe that Nihilistic Glamour Shots is actually Cabbage‘s debut album proper. The truly long-awaited...
I can’t imagine that either Frances Quinlan, or her Philadephia-based quartet, Hop Along¸ are frequently mentioned in dispatches alongside The...
Ruban Nielson’s last album under the Unknown Mortal Orchestra moniker – Multi-Love – was the most fully realised of his...
It could be said, that of about 2007, the main source of sonic inspiration for Manic Street Preachers albums has...
I always wanted to love Daphne & Celeste more. Anyone who can get a bunch of rock fans wound up...
Still There’ll Be More is an anthology comprehensively covering the career of British band Procol Harum from their beginnings in...
