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When an album is described as ‘uncategorisable’ in the PR write up, rarely does it signify genuine uniqueness worth evangelising....
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The brainchild of David Bazan, Pedro The Lion may never have scaled the heights that certain other 90s bands from...
Buke & Gase take their name from a baritone ukulele (or “buke”) and a guitar bass (or “gase”). Their 2010 debut...
Just a few years ago, Michigan’s Mike Posner was riding high in charts all over the world, topping, amongst others,...
You Tell Me is the new project of Field Music‘s Peter Brewis and Admiral Fallow‘s Sarah Hayes. Their self-titled solo...
Toro Y Moi’s Chaz Bear (formerly Bundick) is a musician who refuses to be pigeonholed. Bear’s last five records have spanned...
The latest EP by the trio Electric Retro Spectrum isn’t for the faint hearted. If you’ve never listened to the...
If you were to summarise Deerhunter’s output of the last decade, you could perhaps – not to do it a...
Say want you want about Robert Smith, the guy knows what he likes. Since The Twilight Sad released their last...
It’s becoming a habit in my jottings to consider whether the warblings offered up are appropriate for the time of...
Music, eh? Music. Music. A cruel mistress or mister. Her indoors. Some mothers do ‘ave ’em…etc. Without further bullshit until...
Country music dialled down to a subtle notch, Steve Gunn’s magically titled new release The Unseen in Between thoughtfully delivers...
Fat White Family have a lot to answer for. Basing themselves out of a rundown Brixton pub around the time...
Track one of this comeback-of-sorts from Sharon Van Etten bites the tune from ‘Sympathy For The Devil‘, slows it into...
I am going to be quite frank here. When our esteemed albums editor Loz Etheridge asked me to review an...
