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“We don’t make music for other people, we make it for us”, says Malin Hofvander, one half of Malmö’s art...
JoinedJune 14, 2018
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”This is not a band/Ready for a dissection”, warns Karin Dreijer on ‘What They Call Us’, opener of Radical Romantics,...
Brooklyn duo Water From Your Eyes herald their next album Everyone’s Crushed with an exciting new single and video, ‘Barley’....
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In the last days of the Anthropocene, while big-corp sponsored rockets head to Mars fleeing a burning planet and others...
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It’s so easy to become obsessed with Nicole Dollanganger‘s music. Her voice, like an old chalk doll – childlike, fragile...
Good riddance, 2022. To paraphrase Leonard Cohen, ‘we are tired, skint, lied to by the establishment, but we have the...
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I have a love-hate relationship with compilation albums. Even the Alan Partridge ‘Best of the Beatles’ snobbery can’t put a...
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Still Life, the title of ALASKALASKA‘s second album appears to be missing a question mark. There’s a lurking existential crisis...
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A celebration of human imperfections, Johanna Warren‘s sixth album (and second for Wax Nine), Lessons for Mutants, continues her cathartic...
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Intense, febrile and dislocated from any frame of reference other than their own (excellent) debut, Pain Olympics, Vancouver collective Crack...
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As with the rise of Brighton contemporaries Squid, there has been a lot of hype around seven- piece KEG since...
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“Surely it’s love like this that keeps us alive?” A line from ‘Too in Love to Die’ that marks the...
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Cork-based musician Elaine Howley‘s debut solo work is an exquisite account of everyday dreaming and of sense-making in a senseless...
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Winded, the second album from New Brunswick, Canada trio Motherhood takes their avant rock to a whole new level of...
Barcelona-based French electronic duo O’o make music just as intriguing and rare as their namesake, (the Kaua’i O’o, a songbird...
