High Tides’ new record comes out on Anticon stalwart Tobacco’s label – Rad Cult – and my initial impressions of...
JoinedJanuary 11, 2018
Articles34
If you were to summarise Deerhunter’s output of the last decade, you could perhaps – not to do it a...
It’s fairly staggering to think that The Goon Sax have just hit their twenties, making pristine guitar pop at the...
It’s been a pretty turbulent and traumatic couple of years for Brian Christinzio. After releasing the brilliant How To Die...
Dentist have been quietly ploughing the furrow of their breathless, exhilarating indie-pop for the best part of a decade now....
Rolling Blackouts Coastal Fever rightfully attracted a lot of attention with last year’s EP (their second) The French Press –...
Aidan Moffat is no stranger to producing excellent works built on collaboration post Arab Strap. In particular he’s produced two...
Luke Haines is probably better known for his acerbic presence on Twitter than his music these days- though in the...
Higgledy Piggledy is the second release from Ian Black’s Slug, following 2015’s Ripe. Where RIPE was a thoroughly great record...
Ruban Nielson’s last album under the Unknown Mortal Orchestra moniker – Multi-Love – was the most fully realised of his...
It could be said, that of about 2007, the main source of sonic inspiration for Manic Street Preachers albums has...
Six albums and a decade in, Trembling Bells are still imbued with a strong sense of mischief and ambition. Dungeness...
It’s interesting to consider how Late Capitalism, and by extension, the Internet has made so much of Great Britain so...
Superchunk have seemed an awful lot more stable as a unit since coming out of the freezer in 2010. Responsible...
Throughout her career spanning decades as one of America’s most compelling and forward-thinking artists, Laurie Anderson has consistently subverted expectation...
