nilufer yanya my method actor album review 1392x884 1

Nilüfer Yanya – My Method Actor (Ninja Tune)

Nilüfer Yanya’s third album, My Method Actor, released on September 13 via Ninja Tune, delves deeper into introspective storytelling, crafting a work that is both cinematic and profoundly personal. Co-created with Wilma Archer, known for his collaborations with Sudan Archives, MF Doom, and Celeste, the album highlights Yanya’s commitment to a tightly knit, almost insular creative process.

The album’s origins trace back to early 2023, when Yanya and Archer retreated to secluded spaces in London, Wales, and Eastbourne for intense recording sessions. In an era where many artists rely heavily on external collaborations, Yanya’s choice to maintain such an intimate approach feels both refreshing and bold. The result is a self-contained universe, rich with lush soundscapes that envelop the listener while maintaining a palpable sense of personal reflection and emotional depth.

Building on the critical success of her previous albums, PAINLESS and Miss Universe, Yanya continues to push her creative boundaries. While her earlier work established her as a formidable talent, My Method Actor solidifies her place as a distinctive voice in modern music, showcasing an artist in complete command of her craft. The isolation and focus of its creation imbue every track, making it Yanya’s most personal project to date.

Sonically, My Method Actor demonstrates Yanya’s ability to fluidly navigate genres such as alternative rock, jazz, soul, and electronic, with Archer’s production enhancing Yanya’s intricate songwriting to create a soundscape that feels both expansive and intimate. Her lyrics often possess a dreamlike quality, blurring the lines between reality and surrealism, and inviting listeners to decode its abstract moments and find personal meaning.

The album’s exploration of themes like movement, change, and transformation reflects Yanya’s own personal and professional transitions, including shifts between albums, labels, and homes. On Mutations, she muses on “the subtle change that happens constantly as millions of tiny decisions and actions shape your being,” while Binding captures the melancholy of leaving something behind forever: “Driving too fast, vacant and glass-eyed, not coming back.”

As Yanya approaches her 30th birthday, the passage of time becomes a recurring theme. Tracks like Like I Say (I Runaway) lament the swift passage of time, while the title track grapples with fears of aging and irrelevance: “People like you and me get jaded / People like us, our dreams get faded.” Yet, My Method Actor suggests that Yanya has much to look forward to. The album proves that she is just beginning to explore her artistic potential, offering a richly textured and deeply personal exploration of growth and change, wrapped in sonic experimentation that remains grounded in emotional authenticity.

With this release, Yanya steps confidently into the next chapter of her career, leaving no doubt that this is her best work to date.

Photo credit: Molly Daniel

9

God is in the TV is an online music and culture fanzine founded in Cardiff by the editor Bill Cummings in 2003. GIITTV Bill has developed the site with the aid of a team of sub-editors and writers from across Britain, covering a wide range of music from unsigned and independent artists to major releases.