There will be no music on a Dead Planet!

There will be no music on a Dead Planet!

Music Declares Emergency (MDE) is a group of artists, music industry professionals and organisations concerned by the lack of a cohesive, industry-wide response to the climate emergency.

One of the group’s founding members is Fay Milton, best known as the drummer for the band Savages and project 180db, came along to the ‘Womxn In Music’ event held at Leeds Hyde Park Book Club (an event aimed at encouraging women creatives interested in entering the music industry), to talk about the current climate crisis and explain what tangible things the music industry, bands and fans can do to help.

During the session, Fay Milton shared her story. She had been really concerned about the climate situation for several years before becoming an activist late in 2018. Fay found that getting actively involved in the climate movement has been the best way to stop that sense of existential dread. 

She joined Extinction Rebellion in October 2018. The first major rebellion later took place in London in April 2019. Fay had been directly involved, along with her friends in the set-up of the event, but while her friends were out there actively protesting for our futures, Fay was heading out to play at the Coachella Festival (a music festival staged in the Colorado Desert, California). 

It was at that point Fay felt something specifically needed to change in the music industry. She became more acutely aware of the impact of touring and flying and the scale and potential impact of major festivals on the local environments where they are held:

“I realised the whole industry was getting a bit out of touch. The gratuitous display of wealth and excess that Coachella represents just felt like it had been upstaged by something much cooler and more amazing happening in London. So when I got back, I put a shout out to other people in Extinction Rebellion and the music industry who I knew might be interested and we formed a group called Music Declares Emergency.”

Launched in July last year, the MDE declaration now has nearly 3000 signatories. These range from major labels like Universal, Sony and Warner with their hundreds of employees, to individual musicians and unsigned artists. Organisations like the Musicians’ Union, BPI and AIM have also signed up to support the cause. Festivals, lawyers, publishers and producers. Jazz, Classical and Folk representatives alike. All of musical life is represented.

MDE’s declaration can be read in full on their website (musicdeclares.net), it asks that the Government and media tell the truth about the climate and ecological emergency, that Governments act immediately to put in place policy that will get us to net-zero greenhouse gas emissions no later than 2030, that they recognise the environmental impact of the music industry and commit to taking urgent action.

Fay states that the NEW music industry can lead the fight against climate breakdown and be at the forefront of creating a better, fairer and cleaner future.  

 MDE’s straightforward aims for 2020 are:

● No more single-use plastic to be used in venues. 

● For record labels: MDE are asking for no more 180G vinyl. 140G sounds exactly the same and is a whole lot better for the environment and no more jewel cases for CDs. This is really achievable and will make a huge first step in cutting waste plastics from the industry.

● Merchandise: Band merchandise (t-shirts, etc.) is considered to be a form of fast fashion – which is one of the most polluting industries. MDE are working towards getting artists to think about different merchandise options, for example, printing on existing clothing, and using sustainable companies.

● The most important aim of all is to Speak Up and Speak Out! We have to make our Governments listen and put in place the policies we need to reach net-zero greenhouse gas emissions and reverse environmental degradation, this is a matter of urgency. 

Fay took time to acknowledge that it’s often difficult for artists in the public eye to speak out because of various areas of the media and public waiting to call them out immediately for being hypocrites, even though its the larger collective efforts across the globe and more specifically the efforts of Government and fossil fuel industries and major investment in greener technologies that will have the real impact needed to reach the 2030 target. But Fay calls for the support of the collective in our music scenes, “we aim for safety in numbers. If we all speak out together, it’s less intimidating for the individuals involved”.

With activists and speakers like Fay Milton using their voice to speak up and speak out, we can all learn and become more conscious of what the music industry can do to reduce waste and leave a gentler, carbon-neutral footprint on the planet, after all… there will be no music on a dead planet!!

More Information:

If you’d like to know more about Music Declares Emergency. The website is:

musicdeclares.net there’s lots of information on the website about the specific things we can all do, as part of the music industry to become greener. You can read the declaration and sign up if you would like to!

Follow and support on socials: 

Twitter: https://twitter.com/musicdeclares

Facebook: https://www.facebook.com/musicdeclares/

Instagram: https://www.instagram.com/musicdeclares/

You can watch a video below of Fay Milton’s Music Declares talk live from the Womxn+ in Music event held on Saturday the 25th Jan at Hyde Park Bookclub here:

  1. All industries are bending over backwards to deal with this issue. I know mine is (air transport) be it by way of trying to introduce cost-effective biofuels, electric aircraft or whatever. Every airport has an environmental plan, take it from me, every single one. But much of what I see is just a case of tinkering around the edges and it’s the same here. The waste plastic/vinyl thing I can agree with but the impact will be negligible. Ditto the printing of band names on existing clothing, assuming fans would buy that. Let’s face it, the real difference that would be made is if artists didn’t tour and only recorded, and if the output was only streamed. But that would kill the industry because the financial model doesn’t allow most artists to make a living wage out of recorded material only and that isn’t going to change. Spotify isn’t a charity. Similar issues arise in all businesses. It’s ok to call for flight bans but if a recent European Investment Bank survey is to be believed and 75% of Europeans (94% of Chinese before the coronavirus and 67% of Americans) are going to travel less by air this year there won’t be a choice to be made because there won’t be any aircraft left to fly on. I can see the music business having to face up to the same stark choices.

  2. Hi David, I agree some industries/companies are taking action but the industry I work in and the music industry I wouldn’t say are bending over backwards. More can be done and if the idea is to live a more mindful and carbon-neutral existence then why use 180g vinyl if it’s just not needed? and do we really need tapes and CD’s??? but physical media aside. Festivals are growing at a huge rate and they just look like acres of landfill on the last day with stuff everywhere, eliminating single use plastics and disposable tents, wellies, ponchos, and sleeping bags and all kinds of food packing would be great. The growth of the live music industry is great but it shouldn’t be built around stuff and consuming; and that shouldn’t be what the revenue model is based on. I don’t think aircraft will disappear but there is space to innovate there and I do expect prices to rise as numbers decrease. There are also ways artists can reduce their carbon footprint on tour by travelling lighter, for example, venues providing backlines as standard so every band doesn’t need to drive a van full of heavy gear around every country they visit, using carbon offset plans to neutralise their flights. I think its just about changing behaviours and assumptions.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

God is in the TV is an online music and culture fanzine founded in Cardiff by the editor Bill Cummings in 2003. GIITTV Bill has developed the site with the aid of a team of sub-editors and writers from across Britain, covering a wide range of music from unsigned and independent artists to major releases.