Poetry Spotlight #22: Liv Frances

Poetry Spotlight #22: Liv Frances

One of the most enriching, forward-thinking, fastest-growing online creative communities flourishing right now is the Poetry community, especially in those scenes that center on marginalized voices — Women, POC, Neurodivergent, and LGBTQ. Poetry Spotlight is a feature aiming to showcase the work of some of the most talented creators we’ve discovered making waves on the Internet literary circles, inside or outside the mainstream. This installment is dedicated to the poetry of Liv Frances.

 

Liv is a mixed-race poet from the UK. She writes about a broad range of topics including her experiences growing up in both an Afro-Caribbean family, and in a white, working class family in rural Britain; through her poetry, she tackles everyday racism, mental health issues, death, and loss.

 

 

Strength and Hair Grease

 

Cross legged on the living room floor

you run a wire brush through my hair

(and my scalp and my skin)

Using a wide toothed comb like a machete to navigate your way through the jungle that is my hair

Thick blue grease all over so it didn’t dry out

I cried when it tangled

You told me to stop being silly

When I wanted to look like the others you got out the hot comb

Let it heat up on the stove and combed my hair till the kinks were no longer and I had long, soft flowing hair like the girls in my class

You burned your arm twice on the piping hot metal

You didn’t cry at all

 

 

 

riding bikes through my subconscious

 

a fleeting encounter

your eyes flicker back into existence a post-mortem magic trick

the birds above seem as real as you do and I focus every breath in my body on staying in this reality

I follow your tracks with the leaves crunching under my feet and I notice every detail I don’t want to think that this cannot be real

we are riding our bikes through corn fields and everything is right again.

I wake up in my bed, I cannot ride a bike, I wish I’d let you teach me.

 

 

 

Ars Moriendi

 

providential inmate

there is no doubt

praying in your cell

a good death

we die well

 

receive my naked newborn soul

below they shake their fists and howl

bitter in your hell

a good death

we die well

 

take off your frock

I’ll speak to God myself

ring the mourning bell

a good death

we die well

 

 

 

Unacceptable

 

I don’t quite fear for my life

I know I won’t be shot dead

The British are less direct

With snarky looks and judgement

The occasional tut

Unnecessary shock when you tell someone you got good grades

Shock that our black minds are capable of achieving anything

“Equal opportunities” means we won’t even give you a chance if you’re black or mixed but if you just put British then you’ll at least get at interview

Diminishing your blackness to fit in a sea of white faces

Being told your hair is too extreme when it’s the hair you were born with

Your hair is weird

Your hair feels like sheeps’ wool

So you damage it beyond repair to look like everyone else but you still don’t look right

Ive stopped stop trying to be “acceptable”

It could be worse

I don’t quite fear for my life

But acceptance would be nice.

 

 

 

 

God is in the TV is an online music and culture fanzine founded in Cardiff by the editor Bill Cummings in 2003. GIITTV Bill has developed the site with the aid of a team of sub-editors and writers from across Britain, covering a wide range of music from unsigned and independent artists to major releases.