By jove, the end of the year is fair rushing up. Diwali has been and gone; the lights are up for Hanukkah. We’ve decorated and spray painted a bare branch stuck in the ground outside our house, before zip tying 100 fairy lights to it (solar powered of course).
You think I’m joking? Due to that kidney I sold a while back, we now live in a real posh neighbourhood and it’s great to see the looks of dismay on our neighbours’ faces as we add yet another small insult to living near us.
Anyhow, I’m doing my best not to read anyone else’s lists as I edit this lot from our talented crack team of writers. This is Part Deux, the final instalment will be along shortly.
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Death At Sea
Liverpool five piece Death At Sea are invading their noisy punk-pop territory with real vim and vigour! Their debut limited edition 7” AA-side single ‘Drag’ / ‘Selfless’.Depicted a band at home in their skins, as they effortlessly produce keening melodies riding waves of gloriously hi-fi cartwheeling fuzz pop redolent of Husker Duand early Ash. Indeed ‘Drag’ is all swaggering guitars and lip curling melodies(‘When he’s with her she bleeds glitter’) fizzy rhythms it makes deadweight heartbreak and low self esteem sound positively electric! The frenectic ‘Selfless’ speeds past in a mess of arms and limbs like an early Cribs cut at it’s heart almost 60s-like woos and rumble pop let’s itself off the leash in hedonistic dance of abandon and brutal honesty: it’s the head rushing soundtrack to a night out where anything feels possible! With a burgoning live reputation documented by our very own Mike Hughes, Death At Sea will be one to keep eyes and ears on this year.
(Bill Cummings)
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The Understudies
The critics love an indiepop band, it’s true, but one group of smartly-dressed, well-read sophisticates are about ready to break through the glass ceiling and become a very different kind of pop band indeed. You know, one that real, actual people like. Though they’ve been around in differing formations for a couple of years and are increasingly beloved across Europe, Brian Bryden and his band, newly augmented with a fresh squall of second guitar, are just about ready to unleash their debut album proper which will feature forthcoming single ‘Erika K’. Their style crosses the boundaries of Smiths-like savvy to ride the occasional wave of crashing noise, bound in consistency by Luke Haines influenced hooks and grimly humorous lyrics, assuring that any right-thinking music fan will have them on their must-see list for the coming year.
https://twitter.com/Under_studies
(Michael James Hall)
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LOOM
LOOM knocked the ‘B’ off the front of the name early on in the year, but to ‘B’ or not ‘to be’ the now renamed Loom look set for one hell of a 2013. They have started whispers circulating with their edgy, exciting and eminently watchable live show, whipped up by the crowd-confronting and menacing vox-with-attitude Tarik Badwan. On the basis of just a five-song set (which includes the unreleased killer thriller No Control) and a December released 3-track limited cassette recorded work (with Bleed On Me and Misfits’ cover She), they have already managed to show that they are one of the hottest prospects around for the coming year and whet the appetite for what more this post punk/grunge quartet have in store.
(Linn Branson)
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AVEC SANS
Avec Sans bounced mysteriously onto the scene with their electro-dance duo ways back in August. Their cover of Bon Iver’s ‘Perth’ was a big pull on Soundcloud’s servers, whatever you think of the original (which in this house is pretty much “meh”). Then their first self-penned track ‘Heartbreak Hi’ had us me dad-dancing round the kitchen table. They upped the ante in November with their second self-penned number ‘The Answer’. This time there was even a bit of bio, telling us that the band comprises Alice Fox and Jack St James. This track starts out a tiny bit quietly spoken, until that is, it doesn’t so much drop as leap off into space very hard indeed. I’m trying hard to work out the ‘ingredient X’ in here. The answer is that this is unashamed dance-pop, not afraid of its heritage, but intelligent enough to ensnare the hard-bitten and cynical (that’d be me). Just listen to the way the vocal is cut into slivers just before that drop. It’s like being at the butcher’s, only in a good way.
(Mike Hughes)
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STNNNG
Three albums in, Minneapolis’ STNNNG are still fairly unknown outside of their home state and other small in-the-know pockets of the US. This changed for a few hundred people witnessing their blazing ATP debut at Shellac’s Nightmare Before Christmas recently. With a fourth record due early next year, one of the most exciting live frontmen in recent memory and a fuckton of songs that bring post hardcore and punk screaming and choking into the headlights of pounding rocknroll, this is a band that will set the scene on fire this coming year. Get ready to feel the burn.
(Michael James Hall)
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Heart-Ships
We got the tip off about six piece Heart-Ships from their irrepressible performance at Leeds festival in the Summer of 2011. With only a handful of tracks on show the promise is certainly there for this quirk-folk-pop collective.
Since they formed last year, comparisons have been cast forth like fishing nets but instantly cut adrift by Heart-Ships’ refusal to conform. Wild Beasts, Modest Mouse and Neutral Milk Hotel – the influences may be there in the middle distance, but their twisted pop sound is fiercely eccentric. “Heart of a Wrestler (A Young Man’s Struggle for Strength)” in particular is one of the best new pieces of music I’ve heard in the last twenty four months. A vignette that vividly transports you to the mind’s eye of a young restless man, skewed visions ride their songs waves that from delicate, quirky almost meek toward ramshackle bearchested and masculine in the course of a few minutes.Ryan Cooke’ vocals gowing from insecure and whispy, a rhythmic creak envelops, whilst it strums starboard toward a cresendo fixed with rum soaked pirate singalongs, foot stomping hollers and mad eye’d calls to arms. Their new track ‘Pinhole of Light’ below is an exhibition their continued confidence. Replete with crashing crescendos, crafty rhythms that dance fiendishly in the moonlight and intense communal narratives led by singer Ryan that weave their way into your subconsciousness and out again before bursting like explosions in the sky. It’s quite brilliant twisted pop of the kind that we desperately cherish.
Mumford and Sons may have defined the sensitive communal singalong for some in the last few years, but with their emotional juxtaposition of sensivity and brutality: Heart-Ships are casting forth to somewhere special we hope in 2013 we’re around to bare witness to it…
http://www.heart-ships.com
(Bill Cummings)